That's What Counts
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 70/100
- Pop
- 13/100
- Length
- 6:22
- Released
- 2020
- Genre
- Progressive House
- Label
- Sudbeat
- Loudness
- -10.2 dB
- Dynamics
- 14.0 dB
- ISRC
- UKACT2011091
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
That's What Counts runs 123 BPM in D major (10B), a club-tempo progressive house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 86% of Quivver's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 83% of Quivver's catalogue
- Low end:
- more treble-tilted than 82% of Quivver's catalogue
- Brightness:
- brighter than 77% of Quivver's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is That's What Counts in?
That's What Counts by Quivver is in D major, or 10B on the Camelot wheel.
What BPM is That's What Counts?
That's What Counts runs at 123 BPM, a club-tempo track.
What mixes well with That's What Counts?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is That's What Counts good for peak time?
With energy 70 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Quivver
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
