Drastik - Planetary Assault Systems Rmx
30s preview
- BPM
- 129
- Open Key
- 4m
- Energy
- 85/100
- Pop
- 1/100
- Length
- 8:33
- Released
- 2010
- Album
- Comedy of Menace Pt. 1
- Genre
- Techno
- Loudness
- -10.0 dB
- Dynamics
- 8.6 dB
- ISRC
- NLFC80800052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Drastik - Planetary Assault Systems Rmx runs 129 BPM in F♯ minor (11A), a peak-time tempo techno record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 91% of Planetary Assault Systems's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 84% of Planetary Assault Systems's catalogue
- Brightness:
- darker than 84% of Planetary Assault Systems's catalogue
- Low end:
- more bass-heavy than 82% of Planetary Assault Systems's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Drastik - Planetary Assault Systems Rmx in?
Drastik - Planetary Assault Systems Rmx by Planetary Assault Systems is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Drastik - Planetary Assault Systems Rmx?
Drastik - Planetary Assault Systems Rmx runs at 129 BPM, a peak-time tempo track.
What mixes well with Drastik - Planetary Assault Systems Rmx?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Drastik - Planetary Assault Systems Rmx good for peak time?
With energy 85 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Planetary Assault Systems
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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