Lost in Space by Monococ cover art

Lost in Space

Monococ

30s preview

Key
8A · A minor
BPM
129
Open Key
1m
Energy
87/100
Pop
0/100
Length
6:12
Released
2025
Genre
Techno
Loudness
-7.5 dB
Dynamics
9.4 dB
ISRC
US83Z2561889

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Lost in Space sits in A minor (8A) at 129 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Monococ's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more treble-tilted than 96% of Monococ's catalogue
Tempo:
faster than 87% of Monococ's catalogue
Groove:
less groove-driven than 86% of Monococ's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood49Balanced
Groove71
Acoustic1
Instrumental87
Live13
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Lost in Space in?

Lost in Space by Monococ is in A minor, or 8A on the Camelot wheel.

What BPM is Lost in Space?

Lost in Space runs at 129 BPM, a peak-time tempo track.

What mixes well with Lost in Space?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Lost in Space good for peak time?

With energy 87 out of 100 at 129 BPM, it works best as a peak-time weapon.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 129 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 87/100).

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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