You Keep on Talking by Phace cover art

You Keep on Talking

Phace

Key
2B · F♯ major
BPM
172
Half-time
86
Open Key
7d
Energy
83/100
Pop
2/100
Length
5:22
Released
2010
Genre
Drum N Bass
Loudness
-5.0 dB
ISRC
NLCK40902382

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

You Keep on Talking is a drum n bass track in F♯ major (2B) at 172 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. A 2010 production that still circulates in sets. Slower than 79% of Phace's catalogue. For programming, treat it as an opener or closing-set piece.

Groove:
groovier than 76% of Phace's catalogue
Energy:
calmer than 75% of Phace's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood27Dark
Groove66
Acoustic0
Instrumental88
Live15
Speech21

Frequency spectrum

amplitude · bass → treble

FAQ

What key is You Keep on Talking in?

You Keep on Talking by Phace is in F♯ major, or 2B on the Camelot wheel.

What BPM is You Keep on Talking?

You Keep on Talking runs at 172 BPM.

What mixes well with You Keep on Talking?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is You Keep on Talking good for peak time?

With energy 83 out of 100 at 172 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 172 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 172 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Phace

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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