Miyako
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 7m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 7:11
- Released
- 2012
- Album
- The Speck of the Future
- Genre
- Techno
- Loudness
- -11.5 dB
- Dynamics
- 13.9 dB
- ISRC
- GBLFP0204303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Miyakooriginal2A · 150
Miyako is a fast techno track in E♭ minor (2A) at 150 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. More underground than 99% of Paula Temple's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 92% of Paula Temple's catalogue
- Groove:
- less groove-driven than 92% of Paula Temple's catalogue
- Low end:
- more treble-tilted than 87% of Paula Temple's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Miyako in?
Miyako by Paula Temple is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Miyako?
Miyako runs at 150 BPM, a fast track.
What mixes well with Miyako?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Miyako good for peak time?
With energy 93 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 150 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More techno
More from Paula Temple
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
