Seven Seas
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 80/100
- Pop
- 30/100
- Length
- 3:15
- Released
- 2025
- Genre
- Trance
- Loudness
- -9.5 dB
- Dynamics
- 10.4 dB
- ISRC
- DEQ692400205
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo trance cut, Seven Seas sits in A minor (8A) at 128 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 95% of Paul van Dyk's catalogue.
- Tempo:
- slower than 94% of Paul van Dyk's catalogue
- Reach:
- better known than 93% of Paul van Dyk's catalogue
- Brightness:
- darker than 87% of Paul van Dyk's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Seven Seas in?
Seven Seas by Paul van Dyk is in A minor, or 8A on the Camelot wheel.
What BPM is Seven Seas?
Seven Seas runs at 128 BPM, a peak-time tempo track.
What mixes well with Seven Seas?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Seven Seas good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
![This Will Be Your Happyness [Mix Cut] - Steve Brian Remix by Cosmic Gate cover art](https://i.scdn.co/image/ab67616d00001e02c10c70692035100edf519a94){kind=small}
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More trance
![Fall Into You (WYM142) [Extended Mix] by Cosmic Gate cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/6bb83f8aa3e846275c24.webp){kind=small}
More from Paul van Dyk
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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