For An Angel - Terry Lee Brown Jnr Remix by Paul van Dyk cover art

For An Angel - Terry Lee Brown Jnr Remix

Paul van Dyk

30s preview

Key
11B · A major
BPM
127
Open Key
4d
Energy
80/100
Pop
18/100
Length
6:44
Released
1994
Album
For An Angel
Genre
Trance
Label
MNW ILR
Loudness
-8.8 dB
Dynamics
13.4 dB
ISRC
DEQ692100090

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 132 BPM), this version runs 5 BPM slower and moves the key from 9B to 11B.

For An Angel - Terry Lee Brown Jnr Remix: peak-time tempo trance, A major (11B), 127 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 1994 production that still circulates in sets. Slower than 95% of Paul van Dyk's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 94% of Paul van Dyk's catalogue
Reach:
better known than 82% of Paul van Dyk's catalogue
Brightness:
brighter than 81% of Paul van Dyk's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy80
Mood58Balanced
Groove77
Acoustic0
Instrumental88
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is For An Angel - Terry Lee Brown Jnr Remix in?

For An Angel - Terry Lee Brown Jnr Remix by Paul van Dyk is in A major, or 11B on the Camelot wheel.

What BPM is For An Angel - Terry Lee Brown Jnr Remix?

For An Angel - Terry Lee Brown Jnr Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with For An Angel - Terry Lee Brown Jnr Remix?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is For An Angel - Terry Lee Brown Jnr Remix good for peak time?

With energy 80 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 127 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 80/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More trance

More from Paul van Dyk

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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