Give Me Money - Original Mix by Pablo Fierro cover art

Give Me Money - Original Mix

Pablo Fierro

Key
10A · B minor
BPM
125
Open Key
3m
Energy
90/100
Pop
6/100
Length
4:43
Released
2012
Album
Give Me Money
Genre
Deep House
Loudness
-6.0 dB
ISRC
USLZJ1260854

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo deep house cut, Give Me Money - Original Mix sits in B minor (10A) at 125 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. A 2012 production that still circulates in sets. Groovier than 99% of Pablo Fierro's catalogue. In a set it works best as a peak-time weapon.

Energy:
hotter than 92% of Pablo Fierro's catalogue
Brightness:
brighter than 91% of Pablo Fierro's catalogue
Tempo:
faster than 78% of Pablo Fierro's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood76Bright
Groove94
Acoustic2
Instrumental4
Live6
Speech14

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Give Me Money - Original Mix in?

Give Me Money - Original Mix by Pablo Fierro is in B minor, or 10A on the Camelot wheel.

What BPM is Give Me Money - Original Mix?

Give Me Money - Original Mix runs at 125 BPM, a club-tempo track.

What mixes well with Give Me Money - Original Mix?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Give Me Money - Original Mix good for peak time?

With energy 90 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Pablo Fierro

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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