Ott, a mindenen túl by Ossian cover art

Ott, a mindenen túl

Ossian

30s preview

Key
9A · E minor
BPM
105
Open Key
2m
Energy
48/100
Pop
5/100
Length
3:39
Released
2021
Album
Most Mi jövünk!
Genre
Hard Rock
Loudness
-9.5 dB
Dynamics
14.1 dB
ISRC
HUA632100427

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 105 BPM in E minor (9A), Ott, a mindenen túl is a mid-tempo hard rock production. It reads as balanced in mood. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 99% of Ossian's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 98% of Ossian's catalogue
Groove:
groovier than 83% of Ossian's catalogue
Brightness:
brighter than 79% of Ossian's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood61Balanced
Groove59
Acoustic41
Instrumental0
Live50
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
21%
Low
30-130 Hz
38%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Ott, a mindenen túl in?

Ott, a mindenen túl by Ossian is in E minor, or 9A on the Camelot wheel.

What BPM is Ott, a mindenen túl?

Ott, a mindenen túl runs at 105 BPM, a mid-tempo track.

What mixes well with Ott, a mindenen túl?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Ott, a mindenen túl good for peak time?

With energy 48 out of 100 at 105 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 105 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 105 — beatmatch without a big tempo pull.

#TrackKey·BPM

More hard rock

#TrackKey·BPM

More from Ossian

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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