Dekay - Mladen Tomic Remix
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:43
- Released
- 2015
- Album
- Dekay EP
- Genre
- Tech House
- Loudness
- -8.6 dB
- Dynamics
- 8.8 dB
- ISRC
- NLCK41025516
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dekay - Original Mixoriginal8B · 124
Against the original (8B at 124 BPM), this version runs 1 BPM faster and moves the key from 8B to 6A.
Dekay - Mladen Tomic Remix runs 125 BPM in G minor (6A), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Oscar L's catalogue.
- Brightness:
- brighter than 92% of Oscar L's catalogue
- Groove:
- groovier than 88% of Oscar L's catalogue
- Low end:
- more bass-heavy than 84% of Oscar L's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Dekay - Mladen Tomic Remix in?
Dekay - Mladen Tomic Remix by Oscar L is in G minor, or 6A on the Camelot wheel.
What BPM is Dekay - Mladen Tomic Remix?
Dekay - Mladen Tomic Remix runs at 125 BPM, a club-tempo track.
What mixes well with Dekay - Mladen Tomic Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Dekay - Mladen Tomic Remix good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Oscar L
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
