Strobe
30s preview
- BPM
- 125
- Open Key
- 4d
- Energy
- 95/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2006
- Genre
- Tech House
- Loudness
- -11.1 dB
- Dynamics
- 15.1 dB
- ISRC
- DEL020650016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Strobe sits in A major (11B) at 125 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2006 production that still circulates in sets. More underground than 99% of Gui Boratto's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 96% of Gui Boratto's catalogue
- Groove:
- groovier than 90% of Gui Boratto's catalogue
- Brightness:
- brighter than 89% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Strobe in?
Strobe by Gui Boratto is in A major, or 11B on the Camelot wheel.
What BPM is Strobe?
Strobe runs at 125 BPM, a club-tempo track.
What mixes well with Strobe?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Strobe good for peak time?
With energy 95 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 125 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
