Takes All Kinds - Oliver Schories Remix
30s preview
- Key
- 8B · C major
- BPM
- 122
- Open Key
- 1d
- Energy
- 69/100
- Pop
- 6/100
- Length
- 7:06
- Released
- 2022
- Album
- Takes All Kinds
- Genre
- Tech House
- Loudness
- -7.9 dB
- Dynamics
- 10.7 dB
- ISRC
- UKACT2260097
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Takes All Kinds - Oliver Schories Remix sits in C major (8B) at 122 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 87% of Oliver Schories's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 84% of Oliver Schories's catalogue
- Brightness:
- brighter than 79% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Takes All Kinds - Oliver Schories Remix in?
Takes All Kinds - Oliver Schories Remix by Oliver Schories is in C major, or 8B on the Camelot wheel.
What BPM is Takes All Kinds - Oliver Schories Remix?
Takes All Kinds - Oliver Schories Remix runs at 122 BPM, a club-tempo track.
What mixes well with Takes All Kinds - Oliver Schories Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Takes All Kinds - Oliver Schories Remix good for peak time?
With energy 69 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 122 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
