Turn Around
30s preview
- BPM
- 122
- Open Key
- 5m
- Energy
- 69/100
- Pop
- 0/100
- Length
- 7:23
- Released
- 2009
- Album
- Walking Dog
- Genre
- Techno
- Label
- M_nus
- Loudness
- -10.9 dB
- Dynamics
- 10.6 dB
- ISRC
- CAM260950087
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turn Aroundoriginal12A · 122
A club-tempo techno cut, Turn Around sits in D♭ minor (12A) at 122 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Slower than 99% of Marco Carola's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Marco Carola's catalogue
- Low end:
- more bass-heavy than 95% of Marco Carola's catalogue
- Groove:
- groovier than 94% of Marco Carola's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Turn Around in?
Turn Around by Marco Carola is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Turn Around?
Turn Around runs at 122 BPM, a club-tempo track.
What mixes well with Turn Around?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Turn Around good for peak time?
With energy 69 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More techno
More from Marco Carola
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
