Keep On
30s preview
- Key
- 6A · G minor
- BPM
- 124
- Open Key
- 11m
- Energy
- 79/100
- Pop
- 21/100
- Length
- 3:39
- Released
- 2024
- Album
- Keep on
- Genre
- Deep House
- Label
- Pracht
- Loudness
- -8.2 dB
- Dynamics
- 11.9 dB
- ISRC
- DEY472479504
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Keep On is a club-tempo deep house track in G minor (6A) at 124 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 98% of Oliver Schories's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 87% of Oliver Schories's catalogue
- Energy:
- hotter than 79% of Oliver Schories's catalogue
- Low end:
- more treble-tilted than 79% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Keep On in?
Keep On by Oliver Schories is in G minor, or 6A on the Camelot wheel.
What BPM is Keep On?
Keep On runs at 124 BPM, a club-tempo track.
What mixes well with Keep On?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Keep On good for peak time?
With energy 79 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 124 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
![Two Much (For Me) [Original Mix] by The Martinez Brothers cover art](https://i.scdn.co/image/ab67616d00001e023d89673d806cf0ff134bd37a){kind=small}
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
