After All
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 47/100
- Pop
- 7/100
- Length
- 7:15
- Released
- 2014
- Genre
- Tech House
- Loudness
- -10.2 dB
- Dynamics
- 10.2 dB
- ISRC
- DEUM71401017
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
After All runs 120 BPM in G major (9B), a club-tempo tech house record. The feel is balanced in mood. Rhythmically it is built for the dancefloor. Vocals read as voice. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Groovier than 99% of Oliver Koletzki's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Oliver Koletzki's catalogue
- Low end:
- more bass-heavy than 83% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is After All in?
After All by Oliver Koletzki is in G major, or 9B on the Camelot wheel.
What BPM is After All?
After All runs at 120 BPM, a club-tempo track.
What mixes well with After All?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is After All good for peak time?
With energy 47 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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