Good Old Times A by O.B.I. cover art

Good Old Times A

O.B.I.

30s preview

Key
3A · B♭ minor
BPM
146
Half-time
73
Open Key
8m
Energy
99/100
Pop
1/100
Length
5:16
Released
2021
Album
Good Old Times EP
Genre
Techno
Label
Suara
Loudness
-5.0 dB
Dynamics
9.9 dB
ISRC
QMBZ92185759

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Good Old Times A: fast techno, B♭ minor (3A), 146 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 93% of O.B.I.'s catalogue. In a set it works best as a high-intensity peak cut.

Brightness:
brighter than 92% of O.B.I.'s catalogue
Low end:
more treble-tilted than 82% of O.B.I.'s catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood50Balanced
Groove60
Acoustic0
Instrumental85
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Good Old Times A in?

Good Old Times A by O.B.I. is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Good Old Times A?

Good Old Times A runs at 146 BPM, a fast track.

What mixes well with Good Old Times A?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Good Old Times A good for peak time?

With energy 99 out of 100 at 146 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 146 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 146 — beatmatch without a big tempo pull.

#Track

More techno

#Track

More from O.B.I.

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track