Tides
- BPM
- 172
- Half-time
- 86
- Open Key
- 7d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 5:15
- Released
- 2014
- Genre
- Drum N Bass
- Loudness
- -3.7 dB
- ISRC
- GBCJY2000681
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Tides sits in F♯ major (2B) at 172 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Nu:Tone's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 95% of Nu:Tone's catalogue
- Tempo:
- slower than 77% of Nu:Tone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Tides in?
Tides by Nu:Tone is in F♯ major, or 2B on the Camelot wheel.
What BPM is Tides?
Tides runs at 172 BPM.
What mixes well with Tides?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Tides good for peak time?
With energy 71 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 172 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Nu:Tone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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