PLUG→OUT (feat. 重音テト) by Nobserv cover art

PLUG→OUT (feat. 重音テト)

Nobserv

Key
11A · F♯ minor
BPM
160
Half-time
80
Open Key
4m
Energy
93/100
Pop
5/100
Length
3:41
Released
2023
Album
PLUG→OUT
Genre
Vocaloid
Loudness
-3.8 dB
ISRC
JP92Q2301438

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 160 BPM in F♯ minor (11A), PLUG→OUT (feat. 重音テト) is a very fast vocaloid production. The feel is dark and driving. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. Less groove-driven than 91% of Nobserv's catalogue. For programming, treat it as a high-intensity peak cut.

Brightness:
darker than 91% of Nobserv's catalogue
Energy:
hotter than 81% of Nobserv's catalogue
Tempo:
faster than 75% of Nobserv's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy93
Mood31Dark
Groove45
Acoustic0
Instrumental2
Live17
Speech8

Frequency spectrum

amplitude · bass → treble

FAQ

What key is PLUG→OUT (feat. 重音テト) in?

PLUG→OUT (feat. 重音テト) by Nobserv is in F♯ minor, or 11A on the Camelot wheel.

What BPM is PLUG→OUT (feat. 重音テト)?

PLUG→OUT (feat. 重音テト) runs at 160 BPM, a very fast track.

What mixes well with PLUG→OUT (feat. 重音テト)?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is PLUG→OUT (feat. 重音テト) good for peak time?

With energy 93 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 160 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track