マリオネット
30s preview
- Key
- 8A · A minor
- BPM
- 160
- Half-time
- 80
- Open Key
- 1m
- Energy
- 89/100
- Pop
- 1/100
- Length
- 2:15
- Released
- 2025
- Genre
- Vocaloid
- Loudness
- -3.9 dB
- Dynamics
- 12.6 dB
- ISRC
- JP92W2507810
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
A very fast vocaloid cut, マリオネット sits in A minor (8A) at 160 BPM. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Darker than 94% of Nobserv's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 93% of Nobserv's catalogue
- Groove:
- less groove-driven than 78% of Nobserv's catalogue
- Reach:
- more underground than 78% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is マリオネット in?
マリオネット by Nobserv is in A minor, or 8A on the Camelot wheel.
What BPM is マリオネット?
マリオネット runs at 160 BPM, a very fast track.
What mixes well with マリオネット?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is マリオネット good for peak time?
With energy 89 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 160 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
