ひとりになりたい (feat. 重音テト)
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 3d
- Energy
- 89/100
- Pop
- 6/100
- Length
- 2:08
- Released
- 2023
- Album
- Cue
- Genre
- Vocaloid
- Loudness
- -4.9 dB
- Dynamics
- 12.3 dB
- ISRC
- QZFZ22317330
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
ひとりになりたい (feat. 重音テト) is a very fast vocaloid track in D major (10B) at 160 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 93% of Nobserv's catalogue.
- Tempo:
- faster than 75% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is ひとりになりたい (feat. 重音テト) in?
ひとりになりたい (feat. 重音テト) by Nobserv is in D major, or 10B on the Camelot wheel.
What BPM is ひとりになりたい (feat. 重音テト)?
ひとりになりたい (feat. 重音テト) runs at 160 BPM, a very fast track.
What mixes well with ひとりになりたい (feat. 重音テト)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is ひとりになりたい (feat. 重音テト) good for peak time?
With energy 89 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 160 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
