Skyscrapers - Ryan Elliott Tension Dub
30s preview
- BPM
- 128
- Open Key
- 9d
- Energy
- 46/100
- Pop
- 7/100
- Length
- 4:53
- Released
- 2021
- Album
- Skyscrapers (Remixes)
- Genre
- Techno
- Label
- Nina Kraviz Music
- Loudness
- -11.2 dB
- Dynamics
- 6.6 dB
- ISRC
- QMFME2194757
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Skyscrapers - Hi-Lo Remixremix8B · 132
- Skyscrapersoriginal8A · 133
- Skyscrapers - Radio Editversion9B · 133
- Skyscrapers - Solomun Remixremix5A · 132
- Skyscrapers (Locked Groove Belgium mix)original8A · 144
- Skyscrapers - Solomun Remix - Radio Editremix5A · 132
Against the original (8A at 133 BPM), this version runs 5 BPM slower and moves the key from 8A to 4B.
Skyscrapers - Ryan Elliott Tension Dub runs 128 BPM in A♭ major (4B), a peak-time tempo techno record. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master is squashed flat, built for loudness (crest 7 dB). More bass-heavy than 88% of Nina Kraviz's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 53%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Skyscrapers - Ryan Elliott Tension Dub in?
Skyscrapers - Ryan Elliott Tension Dub by Nina Kraviz is in A♭ major, or 4B on the Camelot wheel.
What BPM is Skyscrapers - Ryan Elliott Tension Dub?
Skyscrapers - Ryan Elliott Tension Dub runs at 128 BPM, a peak-time tempo track.
What mixes well with Skyscrapers - Ryan Elliott Tension Dub?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Skyscrapers - Ryan Elliott Tension Dub good for peak time?
With energy 46 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Nina Kraviz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
