The Telephone by Moodymann cover art

The Telephone

Moodymann

30s preview

Key
6A · G minor
BPM
125
Open Key
11m
Energy
51/100
Pop
15/100
Length
4:52
Released
2001
Genre
Deep House
Loudness
-16.9 dB
Dynamics
18.5 dB
ISRC
GBEWK0100045

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Telephone runs 125 BPM in G minor (6A), a club-tempo deep house record. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2001 production that still circulates in sets. More treble-tilted than 89% of Moodymann's catalogue. For programming, treat it as a mid-set roller.

Tempo:
faster than 78% of Moodymann's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy51
Mood48Balanced
Groove83
Acoustic6
Instrumental91
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is The Telephone in?

The Telephone by Moodymann is in G minor, or 6A on the Camelot wheel.

What BPM is The Telephone?

The Telephone runs at 125 BPM, a club-tempo track.

What mixes well with The Telephone?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is The Telephone good for peak time?

With energy 51 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More deep house

#TrackKey·BPM

More from Moodymann

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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