Warschauer Straße
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 50/100
- Pop
- 1/100
- Length
- 6:10
- Released
- 2009
- Genre
- Tech House
- Loudness
- -10.8 dB
- Dynamics
- 12.2 dB
- ISRC
- DEKN60900179
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Warschauer Straße runs 125 BPM in A minor (8A), a club-tempo tech house record. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. Groovier than 91% of Oliver Koletzki's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 89% of Oliver Koletzki's catalogue
- Reach:
- more underground than 80% of Oliver Koletzki's catalogue
- Low end:
- more bass-heavy than 76% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Warschauer Straße in?
Warschauer Straße by Oliver Koletzki is in A minor, or 8A on the Camelot wheel.
What BPM is Warschauer Straße?
Warschauer Straße runs at 125 BPM, a club-tempo track.
What mixes well with Warschauer Straße?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Warschauer Straße good for peak time?
With energy 50 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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