
Ghost Town - Original Mix
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 71/100
- Pop
- 0/100
- Length
- 8:17
- Released
- 2018
- Album
- Fell on You
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 9.5 dB
- ISRC
- QZ5FN1765302
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ghost Town - Original Mix runs 125 BPM in F minor (4A), a club-tempo techno record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Monococ's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more bass-heavy than 98% of Monococ's catalogue
- Brightness:
- brighter than 94% of Monococ's catalogue
- Tempo:
- slower than 91% of Monococ's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Ghost Town - Original Mix in?
Ghost Town - Original Mix by Monococ is in F minor, or 4A on the Camelot wheel.
What BPM is Ghost Town - Original Mix?
Ghost Town - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Ghost Town - Original Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Ghost Town - Original Mix good for peak time?
With energy 71 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Monococ
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.