We Do It Too
- BPM
- 188
- Half-time
- 94
- Open Key
- 8m
- Energy
- 98/100
- Pop
- 1/100
- Length
- 6:25
- Released
- 2002
- Genre
- Idm
- Loudness
- -7.3 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Do It Too: idm, B♭ minor (3A), 188 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. A 2002 production that still circulates in sets. Hotter than 99% of Modeselektor's catalogue.
- Reach:
- more underground than 99% of Modeselektor's catalogue
- Tempo:
- faster than 97% of Modeselektor's catalogue
- Brightness:
- brighter than 79% of Modeselektor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Do It Too in?
We Do It Too by Modeselektor is in B♭ minor, or 3A on the Camelot wheel.
What BPM is We Do It Too?
We Do It Too runs at 188 BPM.
What mixes well with We Do It Too?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is We Do It Too good for peak time?
With energy 98 out of 100 at 188 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 188 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 177-199 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 188 — beatmatch without a big tempo pull.
More idm
More from Modeselektor
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 188 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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