Gone Gone Gone (feat. Teddy Swims) - MK Remix
- BPM
- 131
- Open Key
- 3m
- Energy
- 97/100
- Pop
- 0/100
- Length
- 2:49
- Released
- 2025
- Album
- Gone Gone Gone (feat. Teddy Swims) [MK Remix]
- Genre
- Techno
- Loudness
- -4.0 dB
- ISRC
- UKWLG2500148
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Gone Gone Gone (feat. Teddy Swims) - MK Remix Extendedremix10A · 131
Gone Gone Gone (feat. Teddy Swims) - MK Remix: peak-time tempo techno, B minor (10A), 131 BPM. It is vocal-led. The master is loud and heavily compressed. More underground than 99% of MK's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 96% of MK's catalogue
- Brightness:
- brighter than 88% of MK's catalogue
- Tempo:
- faster than 87% of MK's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Gone Gone Gone (feat. Teddy Swims) - MK Remix in?
Gone Gone Gone (feat. Teddy Swims) - MK Remix by MK is in B minor, or 10A on the Camelot wheel.
What BPM is Gone Gone Gone (feat. Teddy Swims) - MK Remix?
Gone Gone Gone (feat. Teddy Swims) - MK Remix runs at 131 BPM, a peak-time tempo track.
What mixes well with Gone Gone Gone (feat. Teddy Swims) - MK Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Gone Gone Gone (feat. Teddy Swims) - MK Remix good for peak time?
With energy 97 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 131 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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