
We Will Forgive Ourselves - MK Dub
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 86/100
- Pop
- 7/100
- Length
- 6:30
- Released
- 2022
- Album
- We Will Forgive Ourselves (Remixes)
- Genre
- Techno
- Loudness
- -8.8 dB
- Dynamics
- 13.0 dB
- ISRC
- GB7NR2227102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Will Forgive Ourselves - MK Dub runs 128 BPM in B♭ minor (3A), a peak-time tempo techno record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Brighter than 96% of MK's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 86% of MK's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is We Will Forgive Ourselves - MK Dub in?
We Will Forgive Ourselves - MK Dub by MK is in B♭ minor, or 3A on the Camelot wheel.
What BPM is We Will Forgive Ourselves - MK Dub?
We Will Forgive Ourselves - MK Dub runs at 128 BPM, a peak-time tempo track.
What mixes well with We Will Forgive Ourselves - MK Dub?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is We Will Forgive Ourselves - MK Dub good for peak time?
With energy 86 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from MK
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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