Asking (feat. Clementine Douglas) - Tiësto Extended Remix by MK cover art

Asking (feat. Clementine Douglas) - Tiësto Extended Remix

MK

30s preview

Key
12A · D♭ minor
BPM
130
Open Key
5m
Energy
91/100
Pop
6/100
Length
4:07
Released
2023
Album
Asking (feat. Clementine Douglas) [Tiësto Extended Remix]
Genre
Techno
Loudness
-4.7 dB
Dynamics
11.5 dB
ISRC
US38Y2300398

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9A at 127 BPM), this version runs 3 BPM faster and moves the key from 9A to 12A.

A peak-time tempo techno cut, Asking (feat. Clementine Douglas) - Tiësto Extended Remix sits in D♭ minor (12A) at 130 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Faster than 82% of MK's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 81% of MK's catalogue
Energy:
hotter than 78% of MK's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood43Balanced
Groove70
Acoustic0
Instrumental16
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Asking (feat. Clementine Douglas) - Tiësto Extended Remix in?

Asking (feat. Clementine Douglas) - Tiësto Extended Remix by MK is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Asking (feat. Clementine Douglas) - Tiësto Extended Remix?

Asking (feat. Clementine Douglas) - Tiësto Extended Remix runs at 130 BPM, a peak-time tempo track.

What mixes well with Asking (feat. Clementine Douglas) - Tiësto Extended Remix?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Asking (feat. Clementine Douglas) - Tiësto Extended Remix good for peak time?

With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 91/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from MK

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.