One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 80/100
- Pop
- 4/100
- Length
- 7:55
- Released
- 2017
- Album
- Raygun Rave EP
- Genre
- Tech House
- Loudness
- -8.0 dB
- Dynamics
- 13.4 dB
- ISRC
- GBK6Y1798003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One Stop To Babeloriginal8B · 126
Against the original (8B at 126 BPM), this version runs 1 BPM slower and moves the key from 8B to 9A.
At 125 BPM in E minor (9A), One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix is a club-tempo tech house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. More bass-heavy than 88% of Mihalis Safras's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 87% of Mihalis Safras's catalogue
- Groove:
- less groove-driven than 86% of Mihalis Safras's catalogue
- Brightness:
- darker than 82% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix in?
One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix by Mihalis Safras is in E minor, or 9A on the Camelot wheel.
What BPM is One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix?
One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix runs at 125 BPM, a club-tempo track.
What mixes well with One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is One Stop To Babel - Mathias Kaden’s ‘Paradiso’ Remix good for peak time?
With energy 80 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
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How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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