You Just Won't - Original Mix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 7:57
- Released
- 2016
- Album
- You Just Won't EP
- Genre
- Tech House
- Loudness
- -10.2 dB
- Dynamics
- 8.6 dB
- ISRC
- GBENT0154164
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Just Won't - Luca Cazal Remixremix3B · 125
You Just Won't - Original Mix is a club-tempo tech house track in B♭ minor (3A) at 125 BPM. It reads as bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Max Chapman's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 95% of Max Chapman's catalogue
- Groove:
- groovier than 88% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is You Just Won't - Original Mix in?
You Just Won't - Original Mix by Max Chapman is in B♭ minor, or 3A on the Camelot wheel.
What BPM is You Just Won't - Original Mix?
You Just Won't - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with You Just Won't - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is You Just Won't - Original Mix good for peak time?
With energy 77 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Rain - (Vocal Remix) [Harry Romero Edit] by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e02f3d5a240d2650b0c9cea956c){kind=small}
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.