We Take You There - Edit by Max Chapman cover art

We Take You There - Edit

Max Chapman

Key
3B · D♭ major
BPM
126
Open Key
8d
Energy
96/100
Pop
0/100
Length
3:28
Released
2019
Album
We Take You There (Edit)
Genre
Tech House
Loudness
-6.5 dB
ISRC
FR59R1967412

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 126 BPM), this version holds the same tempo in the same key.

A club-tempo tech house cut, We Take You There - Edit sits in D♭ major (3B) at 126 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. More underground than 99% of Max Chapman's catalogue. In a set it works best as a peak-time weapon.

Groove:
groovier than 95% of Max Chapman's catalogue
Brightness:
brighter than 82% of Max Chapman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood82Bright
Groove88
Acoustic5
Instrumental66
Live8
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is We Take You There - Edit in?

We Take You There - Edit by Max Chapman is in D♭ major, or 3B on the Camelot wheel.

What BPM is We Take You There - Edit?

We Take You There - Edit runs at 126 BPM, a club-tempo track.

What mixes well with We Take You There - Edit?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is We Take You There - Edit good for peak time?

With energy 96 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

More from Max Chapman

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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