Don't Even Know - Will Taylor (UK) Remix
30s preview
- BPM
- 123
- Open Key
- 7d
- Energy
- 88/100
- Pop
- 0/100
- Length
- 6:50
- Released
- 2016
- Album
- Taking Over EP
- Genre
- Tech House
- Loudness
- -7.6 dB
- Dynamics
- 11.1 dB
- ISRC
- GBKQU1667303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Even Know - Original Mixoriginal3B · 124
Against the original (3B at 124 BPM), this version runs 1 BPM slower and moves the key from 3B to 2B.
Don't Even Know - Will Taylor (UK) Remix: club-tempo tech house, F♯ major (2B), 123 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Max Chapman's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 96% of Max Chapman's catalogue
- Tempo:
- slower than 86% of Max Chapman's catalogue
- Low end:
- more bass-heavy than 82% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 22%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don't Even Know - Will Taylor (UK) Remix in?
Don't Even Know - Will Taylor (UK) Remix by Max Chapman is in F♯ major, or 2B on the Camelot wheel.
What BPM is Don't Even Know - Will Taylor (UK) Remix?
Don't Even Know - Will Taylor (UK) Remix runs at 123 BPM, a club-tempo track.
What mixes well with Don't Even Know - Will Taylor (UK) Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Don't Even Know - Will Taylor (UK) Remix good for peak time?
With energy 88 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 123 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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