
Fade In To You
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 44/100
- Pop
- 35/100
- Length
- 6:27
- Released
- 2018
- Genre
- Techno
- Loudness
- -14.9 dB
- Dynamics
- 8.8 dB
- ISRC
- DEEC31850132
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Fade In To You runs 124 BPM in D♭ major (3B), a club-tempo techno record. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More bass-heavy than 97% of Mathame's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 93% of Mathame's catalogue
- Tempo:
- slower than 89% of Mathame's catalogue
- Groove:
- groovier than 86% of Mathame's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 57%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 8%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Fade In To You in?
Fade In To You by Mathame is in D♭ major, or 3B on the Camelot wheel.
What BPM is Fade In To You?
Fade In To You runs at 124 BPM, a club-tempo track.
What mixes well with Fade In To You?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Fade In To You good for peak time?
With energy 44 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Mathame
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.