Dead Synthy
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 42/100
- Length
- 4:30
- Released
- 2025
- Genre
- Progressive House
- Label
- Anjunadeep
- Loudness
- -7.5 dB
- Dynamics
- 10.1 dB
- ISRC
- GBEWA2500070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Dead Synthy - Extended Mixversion2B · 128
Dead Synthy runs 128 BPM in B minor (10A), a peak-time tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 95% of Marsh's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 93% of Marsh's catalogue
- Brightness:
- brighter than 92% of Marsh's catalogue
- Tempo:
- faster than 90% of Marsh's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Dead Synthy in?
Dead Synthy by Marsh is in B minor, or 10A on the Camelot wheel.
What BPM is Dead Synthy?
Dead Synthy runs at 128 BPM, a peak-time tempo track.
What mixes well with Dead Synthy?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Dead Synthy good for peak time?
With energy 88 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Niton [The Reason] - Pryda 82 Remix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Marsh
Full profile
![All Night Long [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
