
Death of a Star (Destinations 26)
- Key
- 5A · C minor
- BPM
- 123
- Open Key
- 10m
- Energy
- 76/100
- Pop
- 7/100
- Length
- 3:23
- Released
- 2024
- Album
- Destinations 26
- Genre
- Trance
- Loudness
- -11.3 dB
- ISRC
- NLD682400710
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Death of a Star (GDJB Weekly Drive 36) - Markus Schulz In Search of Sunrise Remixremix4A · 132
- Death of a Star - Markus Schulz In Search Of Sunrise Mixoriginal4A · 132
- Death of a Staroriginal5A · 123
- Death of a Star (GDJB Weekly Drive 28) - Markus Schulz In Search of Sunrise Mixoriginal4A · 132
- Death of a Star - Kris O'Neil Remixremix5A · 123
- Death of a Star (In Bloom 2024)original5A · 124
Death of a Star (Destinations 26) is a club-tempo trance track in C minor (5A) at 123 BPM. The master keeps real dynamic headroom. Slower than 95% of Markus Schulz's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 79% of Markus Schulz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Death of a Star (Destinations 26) in?
Death of a Star (Destinations 26) by Markus Schulz is in C minor, or 5A on the Camelot wheel.
What BPM is Death of a Star (Destinations 26)?
Death of a Star (Destinations 26) runs at 123 BPM, a club-tempo track.
What mixes well with Death of a Star (Destinations 26)?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Death of a Star (Destinations 26) good for peak time?
With energy 76 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 123 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More trance
More from Markus Schulz
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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