Can't Fake The - Original Mix
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 6:08
- Released
- 2016
- Album
- Can't Fake The
- Genre
- House
- Loudness
- -7.0 dB
- Dynamics
- 14.5 dB
- ISRC
- US5X21607901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Can't Fake The - Original Mix is a club-tempo house track in C major (8B) at 123 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. More underground than 99% of Mark Farina's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 75% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Can't Fake The - Original Mix in?
Can't Fake The - Original Mix by Mark Farina is in C major, or 8B on the Camelot wheel.
What BPM is Can't Fake The - Original Mix?
Can't Fake The - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Can't Fake The - Original Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Can't Fake The - Original Mix good for peak time?
With energy 76 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Good Life - Dantiez & Hugo Cantarra Extended Remix [Remastered] by Hugo Cantarra cover art](https://i.scdn.co/image/ab67616d00001e020c4ac97621b07e359fe4250f){kind=small}
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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