Red Lights - Chris Viviano Remix
30s preview
- BPM
- 119
- Open Key
- 7d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 3:12
- Released
- 2018
- Album
- Red Lights (Remixes - Part II)
- Genre
- Progressive House
- Loudness
- -5.7 dB
- Dynamics
- 12.2 dB
- ISRC
- USYBL1801192
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Red Lightsoriginal7A · 115
- Red Lights - Lugovskiy Remixremix8A · 118
- Red Lights - Beatone Remixremix8A · 118
- Red Lights - Marcus Schossow No Lights Remixremix8B · 123
- Red Lights - Stephan Duy Remixremix8B · 123
Against the original (7A at 115 BPM), this version runs 4 BPM faster and moves the key from 7A to 2B.
Red Lights - Chris Viviano Remix runs 119 BPM in F♯ major (2B), a club-tempo progressive house record. It reads as punchy, neutral in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 95% of Marcus Schössow's catalogue
- Low end:
- more treble-tilted than 83% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Red Lights - Chris Viviano Remix in?
Red Lights - Chris Viviano Remix by Marcus Schössow is in F♯ major, or 2B on the Camelot wheel.
What BPM is Red Lights - Chris Viviano Remix?
Red Lights - Chris Viviano Remix runs at 119 BPM, a club-tempo track.
What mixes well with Red Lights - Chris Viviano Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Red Lights - Chris Viviano Remix good for peak time?
With energy 76 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 119 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
More progressive house
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
