Faces - Vocal Mix
30s preview
- Key
- 6A · G minor
- BPM
- 122
- Open Key
- 11m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 3:15
- Released
- 2018
- Album
- Faces (Vocal Mix)
- Genre
- Tech House
- Loudness
- -6.4 dB
- Dynamics
- 10.2 dB
- ISRC
- GBZ9E1838702
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Faces - Extended Mixversion4A · 122
- Faces - Extended Vocal Mixversion4B · 122
- Facesoriginal4B · 122
- Faces - Harry Romero Extended Remixremix4A · 125
- Faces - Harry Romero Remixremix4A · 125
Faces - Vocal Mix is a club-tempo tech house track in G minor (6A) at 122 BPM. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Slower than 99% of Marco Lys's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Marco Lys's catalogue
- Brightness:
- darker than 96% of Marco Lys's catalogue
- Groove:
- less groove-driven than 83% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Faces - Vocal Mix in?
Faces - Vocal Mix by Marco Lys is in G minor, or 6A on the Camelot wheel.
What BPM is Faces - Vocal Mix?
Faces - Vocal Mix runs at 122 BPM, a club-tempo track.
What mixes well with Faces - Vocal Mix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Faces - Vocal Mix good for peak time?
With energy 88 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 122 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
