The Quad - Kevin McKay Remix
30s preview
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 88/100
- Pop
- 8/100
- Length
- 7:07
- Released
- 2016
- Album
- The Quad (Remixes)
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 9.1 dB
- ISRC
- GBPQS1600140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Quad - Illyus Barrientos Remixremix8A · 125
- The Quad - Original Mixoriginal8A · 122
- The Quadoriginal8A · 122
Against the original (8A at 122 BPM), this version holds the same tempo and moves the key from 8A to 9A.
A club-tempo house cut, The Quad - Kevin McKay Remix sits in E minor (9A) at 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Slower than 83% of CamelPhat's catalogue.
- Groove:
- less groove-driven than 76% of CamelPhat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Quad - Kevin McKay Remix in?
The Quad - Kevin McKay Remix by CamelPhat is in E minor, or 9A on the Camelot wheel.
What BPM is The Quad - Kevin McKay Remix?
The Quad - Kevin McKay Remix runs at 122 BPM, a club-tempo track.
What mixes well with The Quad - Kevin McKay Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is The Quad - Kevin McKay Remix good for peak time?
With energy 88 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from CamelPhat
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
