Left Behind by Just Her cover art

Left Behind

Just Her

30s preview

Key
4A · F minor
BPM
122
Open Key
9m
Energy
88/100
Pop
0/100
Length
3:36
Released
2024
Genre
Deep House
Loudness
-7.1 dB
Dynamics
10.8 dB
ISRC
DEY472471741

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Left Behind is a club-tempo deep house track in F minor (4A) at 122 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Just Her's catalogue. For programming, treat it as a mid-set roller.

Groove:
less groove-driven than 80% of Just Her's catalogue
Brightness:
brighter than 80% of Just Her's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood57Balanced
Groove61
Acoustic1
Instrumental14
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Left Behind in?

Left Behind by Just Her is in F minor, or 4A on the Camelot wheel.

What BPM is Left Behind?

Left Behind runs at 122 BPM, a club-tempo track.

What mixes well with Left Behind?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Left Behind good for peak time?

With energy 88 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 122 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More deep house

More from Just Her

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track