Werewolf
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:54
- Released
- 2018
- Album
- Massacre
- Genre
- Techno
- Loudness
- -9.9 dB
- Dynamics
- 9.6 dB
- ISRC
- DEAR41825765
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Werewolf - Noseda Remixremix11B · 128
- Werewolf - Timao Remixremix3B · 130
A peak-time tempo techno cut, Werewolf sits in B minor (10A) at 130 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. More underground than 99% of Marco Ginelli's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 80% of Marco Ginelli's catalogue
- Low end:
- more treble-tilted than 76% of Marco Ginelli's catalogue
- Tempo:
- slower than 75% of Marco Ginelli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Werewolf in?
Werewolf by Marco Ginelli is in B minor, or 10A on the Camelot wheel.
What BPM is Werewolf?
Werewolf runs at 130 BPM, a peak-time tempo track.
What mixes well with Werewolf?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Werewolf good for peak time?
With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marco Ginelli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
