Remote Templates - Hakimonu Cause And Effect Dub
- BPM
- 122
- Open Key
- 8d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 9:04
- Released
- 2012
- Album
- Remote Templates
- Genre
- Progressive House
- Label
- Subtract Music
- Loudness
- -9.2 dB
- ISRC
- US83Z1205340
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Remote Templates - Daniel Leseman Remixremix2B · 122
- Remote Templates - Dactilar Remixremix11A · 122
- Remote Templates - Deepfunk Mixoriginal3A · 122
- Remote Templates - Marcelo Vasami Mixoriginal2B · 122
Against the original (3A at 122 BPM), this version holds the same tempo and moves the key from 3A to 3B.
Remote Templates - Hakimonu Cause And Effect Dub: club-tempo progressive house, D♭ major (3B), 122 BPM. The feel is dark and driving. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of Marcelo Vasami's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 97% of Marcelo Vasami's catalogue
- Energy:
- hotter than 92% of Marcelo Vasami's catalogue
- Brightness:
- darker than 78% of Marcelo Vasami's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Remote Templates - Hakimonu Cause And Effect Dub in?
Remote Templates - Hakimonu Cause And Effect Dub by Marcelo Vasami is in D♭ major, or 3B on the Camelot wheel.
What BPM is Remote Templates - Hakimonu Cause And Effect Dub?
Remote Templates - Hakimonu Cause And Effect Dub runs at 122 BPM, a club-tempo track.
What mixes well with Remote Templates - Hakimonu Cause And Effect Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Remote Templates - Hakimonu Cause And Effect Dub good for peak time?
With energy 91 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Marcelo Vasami
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
