Everynight - Piyush Awasthi Remix
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 82/100
- Pop
- 2/100
- Length
- 8:10
- Released
- 2012
- Album
- Everynight
- Genre
- Progressive House
- Label
- Lowbit Records
- Loudness
- -9.0 dB
- Dynamics
- 11.8 dB
- ISRC
- US83Z1203233
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everynight - Originaloriginal1A · 124
- Everynight - Scotty.A's Dark Dubversion10A · 124
- Everynight - Andy Arias Remixremix1B · 124
Against the original (1A at 124 BPM), this version runs 2 BPM faster and moves the key from 1A to 12A.
At 126 BPM in D♭ minor (12A), Everynight - Piyush Awasthi Remix is a club-tempo progressive house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Faster than 97% of Marcelo Vasami's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 96% of Marcelo Vasami's catalogue
- Low end:
- more bass-heavy than 90% of Marcelo Vasami's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Everynight - Piyush Awasthi Remix in?
Everynight - Piyush Awasthi Remix by Marcelo Vasami is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Everynight - Piyush Awasthi Remix?
Everynight - Piyush Awasthi Remix runs at 126 BPM, a club-tempo track.
What mixes well with Everynight - Piyush Awasthi Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Everynight - Piyush Awasthi Remix good for peak time?
With energy 82 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Marcelo Vasami
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
