
Fly Away (Version 2)
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 7:18
- Released
- 2008
- Album
- Fly Away
- Genre
- Electro
- Label
- Systematic
- Loudness
- -6.0 dB
- Dynamics
- 11.0 dB
- ISRC
- DEDL80800463
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fly Away (Version 1)original9B · 125
- Fly Away (Version 1)original9B · 125
Fly Away (Version 2) is a club-tempo electro track in B minor (10A) at 123 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2008 production that still circulates in sets. Groovier than 99% of Marc Romboy's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Marc Romboy's catalogue
- Energy:
- hotter than 82% of Marc Romboy's catalogue
- Tempo:
- slower than 76% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Fly Away (Version 2) in?
Fly Away (Version 2) by Marc Romboy is in B minor, or 10A on the Camelot wheel.
What BPM is Fly Away (Version 2)?
Fly Away (Version 2) runs at 123 BPM, a club-tempo track.
What mixes well with Fly Away (Version 2)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Fly Away (Version 2) good for peak time?
With energy 84 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More electro
More from Marc Romboy
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.