Body Jack - Radio Slave Remix
- BPM
- 124
- Open Key
- 8d
- Energy
- 44/100
- Pop
- 0/100
- Length
- 7:26
- Released
- 2006
- Album
- Body Jack (The Remixes)
- Genre
- House
- Label
- Systematic
- Loudness
- -11.9 dB
- ISRC
- DEG840600481
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Body Jack - DJ Delicious Remixremix3A · 125
- Body Jackoriginal3B · 120
- Body Jack - Tommie Sunshine Remixremix12A · 128
Against the original (3B at 120 BPM), this version runs 4 BPM faster in the same key.
A club-tempo house cut, Body Jack - Radio Slave Remix sits in D♭ major (3B) at 124 BPM. The feel is dark and steady. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. More underground than 99% of Marc Romboy's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 83% of Marc Romboy's catalogue
- Groove:
- less groove-driven than 83% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Body Jack - Radio Slave Remix in?
Body Jack - Radio Slave Remix by Marc Romboy is in D♭ major, or 3B on the Camelot wheel.
What BPM is Body Jack - Radio Slave Remix?
Body Jack - Radio Slave Remix runs at 124 BPM, a club-tempo track.
What mixes well with Body Jack - Radio Slave Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Body Jack - Radio Slave Remix good for peak time?
With energy 44 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
