Digital Detox - Love Over Entropy Retox Edit by Marc DePulse cover art

Digital Detox - Love Over Entropy Retox Edit

Marc DePulse

30s preview

Key
1A · A♭ minor
BPM
119
Open Key
6m
Energy
91/100
Pop
0/100
Length
5:03
Released
2018
Album
Digital Detox
Genre
Tech House
Loudness
-9.9 dB
Dynamics
11.5 dB
ISRC
DEY471814441

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (2B at 122 BPM), this version runs 3 BPM slower and moves the key from 2B to 1A.

A club-tempo tech house cut, Digital Detox - Love Over Entropy Retox Edit sits in A♭ minor (1A) at 119 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. More underground than 99% of Marc DePulse's catalogue. In a set it works best as a floor-filler.

Energy:
hotter than 94% of Marc DePulse's catalogue
Tempo:
slower than 94% of Marc DePulse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood33Balanced
Groove77
Acoustic0
Instrumental90
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Digital Detox - Love Over Entropy Retox Edit in?

Digital Detox - Love Over Entropy Retox Edit by Marc DePulse is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Digital Detox - Love Over Entropy Retox Edit?

Digital Detox - Love Over Entropy Retox Edit runs at 119 BPM, a club-tempo track.

What mixes well with Digital Detox - Love Over Entropy Retox Edit?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Digital Detox - Love Over Entropy Retox Edit good for peak time?

With energy 91 out of 100 at 119 BPM, it works best as a floor-filler.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 119 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 119 — beatmatch without a big tempo pull.

More tech house

#Track

More from Marc DePulse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track