Bounce Back - Main Phase Remix
30s preview
- Key
- 9A · E minor
- BPM
- 132
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:49
- Released
- 2025
- Album
- Bounce Back (Main Phase Remix)
- Genre
- Uk Garage
- Loudness
- -6.3 dB
- Dynamics
- 10.5 dB
- ISRC
- UKN6K2403548
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 132 BPM in E minor (9A), Bounce Back - Main Phase Remix is a peak-time tempo uk garage production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Main Phase's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 91% of Main Phase's catalogue
- Brightness:
- darker than 90% of Main Phase's catalogue
- Energy:
- hotter than 85% of Main Phase's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Bounce Back - Main Phase Remix in?
Bounce Back - Main Phase Remix by Main Phase is in E minor, or 9A on the Camelot wheel.
What BPM is Bounce Back - Main Phase Remix?
Bounce Back - Main Phase Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Bounce Back - Main Phase Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Bounce Back - Main Phase Remix good for peak time?
With energy 92 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 132 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Main Phase
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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