Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix
- BPM
- 120
- Open Key
- 3m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 4:17
- Released
- 2015
- Album
- Ain't That Funkin' Kinda Hard on You? (Remixes)
- Genre
- House
- Loudness
- -8.2 dB
- ISRC
- QM2UR1500009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Mixoriginal10B · 120
- Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Nu-Dubversion10A · 120
- Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Remixremix10A · 120
- Ain’t That Funkin’ Kinda Hard on You? - Vega's Trumpet Dubversion10A · 120
Against the original (10B at 120 BPM), this version holds the same tempo and moves the key from 10B to 10A.
A club-tempo house cut, Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix sits in B minor (10A) at 120 BPM. The groove is strong and floor-ready. It is vocal-led. A 2015 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 89% of Louie Vega's catalogue
- Groove:
- less groove-driven than 77% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix in?
Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix by Louie Vega is in B minor, or 10A on the Camelot wheel.
What BPM is Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix?
Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix runs at 120 BPM, a club-tempo track.
What mixes well with Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Ain’t That Funkin’ Kinda Hard on You? - Louie Vega Radio Mix good for peak time?
With energy 70 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.