Cascades of Colour
30s preview
- Key
- 6A · G minor
- BPM
- 174
- Half-time
- 87
- Open Key
- 11m
- Energy
- 100/100
- Pop
- 6/100
- Length
- 6:03
- Released
- 2006
- Genre
- Drum N Bass
- Loudness
- -4.7 dB
- Dynamics
- 15.9 dB
- ISRC
- GBCJY0611213
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Cascades of Colour: drum n bass, G minor (6A), 174 BPM. The feel is bright and euphoric. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). A 2006 production that still circulates in sets. Hotter than 99% of Logistics's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 99% of Logistics's catalogue
- Groove:
- less groove-driven than 90% of Logistics's catalogue
- Tempo:
- slower than 76% of Logistics's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Cascades of Colour in?
Cascades of Colour by Logistics is in G minor, or 6A on the Camelot wheel.
What BPM is Cascades of Colour?
Cascades of Colour runs at 174 BPM.
What mixes well with Cascades of Colour?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Cascades of Colour good for peak time?
With energy 100 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 174 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Logistics
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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