Apologue
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 61/100
- Pop
- 23/100
- Length
- 4:40
- Released
- 2022
- Genre
- Progressive House
- Loudness
- -10.4 dB
- Dynamics
- 14.9 dB
- ISRC
- GBKQU2305187
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Apologueoriginal10B · 120
- Apologue - Nights In Bloom Remixremix10B · 122
- Apologue - Fejká Extended Remixremix10B · 120
- Apologue - Nights In Bloom Extended Remixremix10A · 122
At 120 BPM in D major (10B), Apologue is a club-tempo progressive house production. It reads as punchy, neutral in mood. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Brighter than 96% of Klur's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 94% of Klur's catalogue
- Tempo:
- slower than 79% of Klur's catalogue
- Groove:
- less groove-driven than 75% of Klur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Apologue in?
Apologue by Klur is in D major, or 10B on the Camelot wheel.
What BPM is Apologue?
Apologue runs at 120 BPM, a club-tempo track.
What mixes well with Apologue?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Apologue good for peak time?
With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Klur
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
